![]() You could even generate a matte layer in Mocha and export that to use as a track matte for the replacement layer. You could pre-compose the watch face layer and then animate the mask, but actually doing the roto on the watch face layer is the least efficient way to do the roto. ![]() You could duplicate the footage layer, put the duplicate on top and then mask just the finger, You could add a colored solid above the watch face layer, change the blend mode so you can see through the layer and then animate a mask on the solid then use it as a track matte for the watch face layer. There are dozens of other ways to work out a solution. When I need to do roto and am using corner pin I usually prefer this method because it gives you a much bigger canvas to work with and stabilized everything so there are a lot fewer keyframes for the mask. ![]() Just drawing a mask on a corner pinned layer is not going to work because the mask is applied before the transformation effect from corner pin. ![]() It looks like you are using corner pin tracking from Mocha. ![]()
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